I Gusti Ayu Kadek Murniasih: Feels Strangely Good, Ya?

a painting with bold black outlines showing a red boot going in between the legs of a naked woman seen in profile so that the tip of the boot is emerging from the front of her legs. The background is a square of blue with leafy patterns set against a wider background of green.
  • I Gusti Ayu Kadek Murniasih, Rasanya kok enak ya, 1997, Estate of I Gusti Ayu Kadek Murniasih © Courtesy GAJAH GALLERY

"the visual output of a singular, independent, defiant woman.", ★★★★ Eddy Frankel, The Guardian

"a glimpse into [Murni's] vibrant inner world, where absurdity and abjection collapse into one another, and questions of power dynamics, sexuality, and freedom refuse simplistic answers." ArtAsiaPacific

"a careful act of cultural mediation, constructing a framework through which Murni's work can be encountered without dilution, exoticisation or explanatory excess" Apple Gerungan

We are proud to be presenting the first international institutional solo exhibition of the late Balinese artist I Gusti Ayu Kadek Murniasih “Murni”.

Murni (1966 – 2006, Bali) was a prolific and uncompromising artist whose vivid and acutely personal works emerged as an exploration of her subconsciousness, dreams and psyche, acting as a form of therapy or diary. Largely self-taught, Murni gained recognition in the 1990s for her striking depictions of female sexuality, addressing themes of pleasure, sex, power dynamics, trauma, and desire with humour, absurdity and unflinching honesty. This exhibition marks an important step in championing Murni’s legacy to audiences globally.

Feels Strangely Good, Ya? highlights the full force of Murni’s boundless imagination and offers a rare opportunity to experience her work in depth. Alongside seminal works created over the artist’s lifetime, the exhibition embraces the companionship and creative freedom she found amongst a small group of fellow artists including Edmondo Zanolini (Mondo), I Dewa Putu Mokoh (Mokoh) and Dewa Raram (Totol) whose works will also feature in the exhibition.

Murni's fearless commitment to self-expression has cemented her reputation as one of the most transgressive and vital contemporary figures in Southeast Asian art, whose work continues to inspire others. Today, her work resonates more than ever as an unabashed celebration of desire and freedom, the abject, the grotesque, and the unruly potentials of the body and mind. Feels Strangely Good, Ya? invites viewers to find pleasure in the surreal, to sit within the strange, the uncomfortable and the ecstatic and to trust and be guided by the senses.

A gallery space with different sized paintings hung on display on pale green walls, there is a wooden floor and two benches in the middle of the room.
A gallery space with two benches positioned in front of a wooden display wall with paintings spread across it and on the walls around the room.
A gallery space with two benches positioned in front of a wooden wall with paintings hung on display.
A close up of three paintings on display on a pale green gallery wall.
A gallery space with different sized paintings hung on display on a pale green wall.
A close up of a pale green gallery wall with different sized paintings hung on display.
A close up of a pale green gallery wall with different sized paintings hung on display.
A close up of a burnt orange gallery wall with different sized paintings hung on display.
Image Credit: Jules Lister
A close up of a burnt orange gallery wall with different sized paintings hung on display and some wall text.
A gallery space with burnt orange walls and paintings displayed around the room.
A gallery space with burnt orange walls and three oval shaped sculptures on plinths positioned against the wall.

Supported by:

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