Still Undead: Popular Culture in Britain Beyond the BauhausCurrent Exhibition
- Robyn Beeche, Bauhaus (Spirals), 1986. Inspired by Oskar Schlemmer. Hair by Mitch Barry at Vidal Sassoon, make-up by Phyllis Cohen. Courtesy Robyn Beeche Foundation.
"timely, important, encyclopaedic", ***** Will Gompertz, BBC
"Inspiring and meticulously curated", frieze
"Intriguing and expansive", Art Monthly
Still Undead explores how Bauhaus ideas and teaching lived on in Britain, via pop culture and art schools. This exhibition coincides with the centenary of the pioneering art and design school’s founding in Weimar. Spanning the 1920s to the 90s, and including works by some 50 artists, designers and musicians, Still Undead narrates the eclectic and fragmented ways that the Bauhaus’s legacy has been transmitted and transformed. It is structured around six loosely chronological groupings, which move from the Bauhaus to British art schools, from the high street to the nightclub and beyond.
Still Undead departs from experiments in light and sound created by Bauhaus students and teachers. Combining music, costume and performance, these works were key to the school’s lively culture of parties and festivals. After the Nazis came to power in 1933, and the Bauhaus closed, a number of its masters and students came to Britain. A lack of work pushed them towards a variety of projects, making everything from sci-fi special effects and documentary photography to shop-window displays.
After World War II, Bauhaus methods reshaped British art schools through a new approach to artistic training known as Basic Design. This emphasised intuition and experimentation, colour and material. At the beginning of the 1960s, a young generation began to reimagine the aims of the Bauhaus for an era of consumerism and commercial design.
In the 1970s and 80s, youth culture – by way of art-school bands, DIY publishing and club nights – looked back to early 20th-century avant-gardes for inspiration. This section of the exhibition is a collage of performance, music and graphic design, which invokes the spirit of Bauhaus parties and theatre. The exhibition title, Still Undead, is borrowed from a 1982 song by the British band Bauhaus, suggesting that these spirits linger on, neither dead nor alive.
Our gallery will close at 1pm on Fri 29 Nov.
Exhibition:Still Undead: Popular Culture in Britain Beyond the Bauhaus
Dates:21 Sep 2019 – 12 Jan 2020
- The exhibition features contributions from some 50 artists, designers and musicians, including: Gertrud Arndt, Roy Ascott, Charles Atlas, Bauhaus (band), Robyn Beeche, Otti Berger, Leigh Bowery, Robert Brownjohn, Laurie-Rae Chamberlain, Agatha Christie, Edmund Collein, Susan Collier and Sarah Campbell, Terence Conran, Rita Donagh, Terence Donovan, Ueli Frey, Barbara Frost, Malcolm Garrett, Kasper de Graaf, René Halkett and David Jay, Richard Hamilton, Florence Henri, George Hinchcliffe and Ian Wood, Ludwig Hirschfeld-Mack, Tom Hudson, Ben Kelly, Kraftwerk, Kurt Kranz, Margaret Leischner, Liliane Lijn, T. Lux Feininger, Al MacDonald, John Maybury, Lucia Moholy, László Moholy-Nagy, Victor Pasmore, Mary Quant, Vidal Sassoon, Peter Saville, Xanti Schawinsky, Oskar Schlemmer, Kurt Schwerdtfeger, Soft Cell, Frank Tovey (Fad Gadget), Edith Tudor-Hart, Stephen Willats.
Still Undead is a chapter of bauhaus imaginista and is produced with Haus der Kulturen der Welt (HKW), Berlin. bauhaus imaginista is a collaboration between the Bauhaus Kooperation Berlin Dessau Weimar, the Goethe-Institut and HKW. A research project with various exhibition stations, it is part of the centenary of the founding of Bauhaus. With the collaboration and support of University of Brighton Design Archives.
Marion von Osten, Sam Thorne and Grant Watson
Olivia Aherne, Gavin Butt, Cédric Fauq, Christian Hiller and Mariana Meneses
A Space for Making:
Curated with Learning Programme Team and Associate Artists: Gillian Brent, Katy Culbard, Lisa Jacques, Chris Lewis-Jones, Natelle Morgan-Brown, Wingshan Smith, Amanda Spruyt, Sian Watson Taylor and Charlotte Tupper.
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