Nottingham Contemporary

Autumn 2025 Exhibitions: Press Coverage

A photo of an art gallery with artworks suspended from the ceiling and display stands spread out throughout the room.
Image Credit: Rae Dowling

Our Autumn Exhibitions, Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom and I Gusti Ayu Kadek Murniasih: Feels Strangely Good, Ya? have been covered by several journalists and publications.

Click the links below to view the articles.

Basel Abbas & Ruanne Abou-Rahme by Amrit Doll, Corridor8

Basel Abbas and Ruanne Abou-Rahme, “Prisoners of Love: Until the Sun of Freedom” / Nottingham Contemporary, FlashArt

Resonances of Resistance: Basel Abbas & Ruanne Abou-Rahme by Simon Cartwright, Aesthetica Magazine

Basel Abbas & Ruanne Abou-Rahme, Mousse Magazine Highlights

Basel Abbas & Ruanne Abou-Rahme #23 in Art Review's Power 100 2025

Basel Abbas & Ruanne Abou-Rahme’s Archive of Palestinian Life by Shiv Kotecha, Frieze

Exhibition review: Prisoners of Love: Until the Sun of Freedom, LeftLion

Basel Abbas & Ruanne Abou-Rahme, Exhibition Announcement, Artpil

I Gusti Ayu Kadek Murniasih: Feels Strangely Good, Ya?, ArtAsiaPacific

I Gusti Ayu Kadek Murniasih review – a vivid testament to a life lived hornily, by Eddy Frankel, The Guardian

The best art and photography of 2025 – from eye-boggling Bridget Riley to the Face’s riotous fashion, The Guardian

Review of I Gusti Ayu Kadek Murniasih by 1525 Collective member, Apple Gerungan

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Recording:
Autumn 2025 Exhibitions: Press Coverage
Dates:
Wed 1 Oct
Format:
Image
ArtAsiaPacific

Related

Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom Past Exhibition
Sat 27 Sep – Sun 11 Jan, Private View: Fri 26 Sep
a dimly lit video still showing a hand reaching out to hold a small white flower growing from stony ground.
I Gusti Ayu Kadek Murniasih: Feels Strangely Good, Ya? Past Exhibition
Sat 27 Sep – Sun 11 Jan, Private View: Fri 26 Sep
a painting with bold black outlines showing a red boot going in between the legs of a naked woman seen in profile so that the tip of the boot is emerging from the front of her legs. The background is a square of blue with leafy patterns set against a wider background of green.
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