Workshop: Creating with Crip Time by resting up collective

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"Crip time is time travel. Disability and illness have the power to extract us from linear, progressive time with its normative life stages and cast us into a wormhole of backward and forward acceleration, jerky stops and starts, tedious intervals and abrupt endings." - Ellen Samuels

Join resting up collective for a creative workshop that focuses on the different ways we perceive time, particularly embodied time, and the ways in which we might have a creative outlet (including rest!) working with, not against, that time.

The workshop will include group discussion, writing and/or drawing, alongside the opportunity to make a loose creative plan creative plans to take away with you to build a longer piece of work.

We will also discuss crip time, how we can rethink the time constraints we live under, and how to carve out space for creative practice in our calendars.

There is no preparation required for this workshop, but participants can read Ellen Samuels' essay "Six Ways of Looking at Crip Time" ahead of time if they wish. We recommend bringing a pen and notebook, or any materials you use to write with.

Access

Find information about getting here and our building access and facilities here.

This event is wheelchair accessible.

There are no audio descriptions for this event.

If you have any questions around access or have specific access requirements we can accommodate, please get in touch with us by emailing info@nottinghamcontemporary.org or phoning 0115 948 9750.

Safety during your visit

Please do not attend this event if you/someone in your household is currently COVID-19 positive, has suspected symptoms or is awaiting test results.

Staff and visitors are welcome to wear a face mask in all areas.

resting up collective is an interdisciplinary group of chronically ill and disabled friends practising slowness/crip time to create, think, and interrupt neoliberal pressures and expectations on the body. The workshop is facilitated by resting up founder Jennifer Brough.

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