Wednesday Walkthrough: Caroline Fucci
Join us for a Wednesday Walkthrough – a gallery tour where artists, experts, researchers and academics give short talks in their field of expertise relating to the concepts explored in our current exhibition.
This season, we are presenting the first the first institutional solo exhibition dedicated to Allan Weber’s work in a major UK cultural institution. Weber is a multi-disciplinary artist born in Rio de Janeiro, Brazil where he currently works and resides. Working across a range of mediums including assemblage, installation, sculpture and photography, Weber’s practice acts as a vehicle to deconstruct the realities of daily life within the favelas of Rio de Janeiro.
In this walkthrough of Allan Weber: My Order, Caroline will contextualise Weber's practice within the scholarship on Brazilian art history, building connections between modern art movements such as Concretism and Neoconcretism and recent debates on contemporary Brazilian art. Drawing on her current research on contemporary Brazilian art and international exhibitions, Caroline will also reflect on Weber's engagement with and interest in institutional practices and broader dynamics of the art system in Brazil and abroad.
Access
Find information about getting here and our building access and facilities here.
This event will be held in the Galleries. Meet at Reception.
Speakers will use microphones.
This event is wheelchair accessible.
If you have any questions around access or have specific access requirements we can accommodate, please get in touch with us by emailing info@nottinghamcontemporary.org or phoning 0115 948 9750.
Caroline Fucci is a researcher, curator and educator based in London. Her research interests lie in the areas of exhibition histories, curatorial studies and practices, contemporary art and globalisation, aesthetics, and art and culture in the post-1989 context, with a focus on Brazil. She is a PhD candidate at the School of Museum Studies, University of Leicester. Her doctoral project, funded by the AHRC Midlands4Cities, focuses on the art biennial model and the representation of contemporary Brazilian art within key international biennials between the 1990s and 2010s, such as São Paulo, Venice, Liverpool, Havana, and Istanbul. She has experience working with galleries and institutions in Brazil and the UK, and regularly contributes to independent arts education platforms by delivering talks and lectures on contemporary art theory and practice.