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Tuesday, 12 May 2015
John Newling, Miracle Trees and Lemon Trees
John Newling
With an introduction by John Leighton, Visitor Services Manager

Here at Nottingham Contemporary we are proud to call Nottingham artist John Newling a friend. Our 2011 film of John discussing the Miracle Tree project has gained over 50,000 views on You Tube.

John has exhibited with us twice, initially with the growing of the original Moringa tree in our study in 2011, and the major exhibition of his work in 2013.

John popped in last week to present us with a copy of his latest book, ‘The Lemon Tree and Me’, a limited edition account of a project from 2009, which John talks about below. The book will be available to view in our study and while stocks last, available to buy directly from John.

'In late 2007 I was invited to be the first recipient of an international residency program at ‘The Collection’ Lincoln.

I was Artist in Residence at The Collection Studio from January to April 2008. In 2009 I installed The Noah Laboratory at the collection. The Noah Laboratory was the final production process and installation of the project initiated during the residency. Over the course of a month the gallery formed the central distribution hub and recycling point for a newspaper containing the images and writings generated from the residency and, through the installation, endeavoured to transform the newspapers into soil. This was the practical and conceptual completion of 'The Noah Laboratory' and brought it fully to a public audience both through the paper and the processes of the installation. It created a cartographic dialogue between the sites and events of the residency.

Subsequent to the completion of the installation I decided to test the constructed soil by growing a tree or plant in the soil. I chose a lemon tree as the subject of this work. 

So began the Lemon Tree and Me, a project that developed over 688 days of learning and reflection.

The Lemon Tree and Me is an account of an intense period of time between March 2009 and February 2011. It records the relationship between The Lemon Tree & Me; a relationship of meaning and materiality that constructed, cultivated and reviewed a poetics of responsibility. It was a relationship that advocated an intelligent ecology based on values that are immanent in the complex workings of nature. Between ethics, ecology and aesthetics The Lemon Tree & Me finds a new ground in a generative programme of intensive care to influence our responsibilities as gardeners of the public domain.

It is text that has informed many of my recent and current works.  I am very pleased to be able to share it with you through this publication.'

The Lemon Tree and Me (Tuesday 24th March 2009 - Wednesday 9th February 2011); a working from life; a love song; sung for 688 days.


Posted by btimmins at 10:55


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